Summary: Having a career as a classical singer requires much more than solid vocal technique. In fact, some would say that vocal talent is only 20% of the required skill set. Some of these other traits include:
Flair and Poise: self-confidence
Interpretive Ability: "a strong imagination and the ability to project a story"
Musicianship and musicality: nuances!
Physical Appearance: not only good looks, but good carriage.
Stage Personality: "I belong here."
Ability to Handle People On and Off Stage: "A strong feeling that everyone is a friend."
Basic Repertoire: knowing 6-8 roles in opera and oratorio is a minimum.
Reliability and Dependability: Be alert, prepared, and punctual
Experience: Sing everywhere you can
Love for the Art: A compulsion to sing is the driving force that will get you through the hard times
Physical and Emotional Health: "Artists can't have confidence in themselves if their health is not robust."
Efficient Management and Publicity: "Good management will help you develop your strengths and correct your weaknesses."
Timing: You can control this. Only take gigs that you feel fit you well.
Having these factors in mind, you audition with the idea that you can only present your best self, and you cannot control what others think of you. A performing career is a difficult one, but it is made no less difficult by ignoring the hard facts.
Key Concepts: An artist must be concerned with their entire being, not just with their vocal skill. Having a career as an operatic performer is a very challenging life, but a clear head, friendly personality, and disciplined attitude can help.
Making Connections: This chapter made is very clear that the adage, "Those who can't, teach," is very much false. It seems that performing is not just a venue for the very best musicians, but for those whose personality fits the job description and lifestyle. This chapter helped me get a better inside look into myself, to see if my personality fits the bill....I'm not sure yet, but I'm figuring it out.
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