Tuesday, April 1, 2014

Emily F. Malde 5 part 2

Emily F. Malde 5 part 2
The muscle of the lips extends all the way up to the nose and all the way down to the indentation above the chin.

Describe the buccinators: include location, attachments, and function and resonance effect form the inside of the cheeks, connect lips in front, connect to upper pharyngeal constrictor at tendinous raphe at back; contraction of buccinators leads to contraction of other muscles, including SPC, and is undesirable in classical singing

What is the tongue’s survival function? to move food and begin swallowing

What is the function of the tongue for singing? to form vowels and consonants

How many intrinsic tongue muscles are there?  4  What is their function? fine motor movements of articulation

How many extrinsic tongue muscles are there?  5 What is their function? move tongue up, down, forward, back

Where does the tongue have attachments? to the hyoid bone, mandible

What is the septum of the tongue?  What is its function? point of attachment from hyoid bone to intrinsic muscles of tongue

What are ways that singers use their tongues inappropriately? for pushing down the larynx, pull tongue back to increase pharyngeal resonance

What is the only healthy way to lower the larynx? to use muscles below the larynx--the omohyoid, sternohyoid, and sternothyroid

Which four muscles in the neck are the only muscles  that can play a positive role in vocal resonance? omohyoid, sternohyoid, sternothyroid, and stylopharyngeus

What is the function of the rest of the next muscles? turning the head, lifting the arms

What are the strongest muscles that pull up on the larynx? hyoglossus

Describe the aryepiglottic sphincter (location and function) just above vocal folds, defined by muscles surrounding the epiglottis

What causes the Singer’s Formant? engagement of aryepiglottic muscles to narrow the space where the larynx opens to pharynx

What is vowel modification? opening the mouth more for higher pitches on closed vowels, more necessary in higher ranges

How can we be singing the correct pitch and still be off in terms of intonation? inconsistency in resonance, and over-emphasis of certain overtones

 

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