Emily Floyd:
B: good deep breaths! :)
I: approached the high notes from underneath, but the lower middle range was very lovely
T: I could tell that you had worked on the speech-like thing even from yesterday (our run-through). It continues to improve.
D: Your jaw swung back and forth between relaxed and super tense and your diction suffered on the super tense places. That also means that your diction was lovely and contributed well to your timbre when relaxed.
E: you generally have a pleasant look on your face but I don't get much of a story line or intent.
O: Like your onset of the piece. At this point I think you're your own worst enemy. Remember why you love to sing! Remember that it helps you as well as others. Technical stuff takes time, but you can always enjoy the gift of singing!
Sarah Gee:
B: seemed restricted
I: Generally it was good, but it never sounded easy to achieve the pitch. It had a sense of effort even in the low range.
T: She has a mature sound, that you would never expect from her. It didn't reach a fullness though due to the restrictions in her body.
D: I would suggest speaking the text a lot. I think it would help with memory slips
E: I think its a happy song, but I wouldn't always get that vibe from Sarah.
O: I noticed that the jaw does a lot of work! It tends to look angry even at times.
Aubrianne Dunn:
B: seemed shallow at times.
I:
T: She's in "singing" mode. It lacks the speech-like, natural sound.
D: Speaking the text in a conversational way would help with natural inflections and emphasis on syllables. Also it would help with memory.
E: What does this song mean?
O:
I'm so sorry Cindy, but my battery is going to die!
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