Tuesday, January 7, 2014

Taylee Beckstead McKinney Ch. 1



What are the 3 questions that McKinney asked teachers after playing each of the samples of faulty singing? What is wrong with the sound that you are hearing? What do you think is causing it? What would you do about it if you were the teacher?
When does the diagnostic process begin? Before the patient realizes it, i.e. when they first come into contact with the doctor.
Define symptom. “Any sensation or change in bodily function experienced by a patient that is associated with a particular disease.”
What are the 3 basic techniques for gathering evidence? 1) informal observation of the patient, 2) self-evaluation by the patient, and 3) systematic testing by the doctor.
Define diagnosis. “Thorough analysis of facts or problems in order to gain understanding and aid future planning.”
What are the 3 fundamental questions a doctor must ask about each patient he examines? 1) What are the symptoms? 2) What are the causes of these symptoms? 3) What are the possible remedies?
Upon what should the teacher’s tonal ideal be based? It should be based on the physical laws of sound and the tone quality of artist performers against which you can measure the sounds you are hearing.
What are the components necessary to be able to communicate information to the student in a way that s/he will accept your analysis and want to make the desired changes? 1) Comprehensive knowledge of the vocal mechanism and how it works, 2) ability to express yourself in terms the student can understand, and 3) some of the skills of a master psychologist.
Complete this quote:
“Each student is an individual and must be allowed to seek vocal truth for himself under you guidance. Resist the temptation to turn your students into vocal clones of yourself.
Why is a systemic approach to diagnosing vocal faults important? 1)Informal observation of the student, 2) self-evaluation by the student, and 3) systematic analysis by the teacher.
Complete these quotes (16)
“bad sounds and incorrect pitches which are not heard on the first hearing become increasingly less likely to be heard wih each subsequent hearing.
“the longer you teach a student without correcting a particular vocal fault, the more inclined you are to accept it as an inborn characteristic of that person and leave it uncorrected.
What are McKinney’s recommendations for the first hearing of a student? Make the first hearing a  positive experience.
What is the teacher’s plan of action? Recognize symptoms, determine causes, and devise cures.
What are the two types of clues? Audible and visible.
What does the teacher need in order to determine causes? The teacher needs to be intimately acquainted with the vocal mechanism and with the physics of sound.
What does it mean to use empathy as a voice teacher?  To try to feel in your own vocal mechanism the actions that are taking place in his/hers. Why is this a valuable tool? It will help you identify the problem faster and correct it in the most efficient way possible.
How do we develop the ability to devise cures for vocal faults?  It comes from applied knowledge and gained experience.
Complete this quote
“Do not begin to tolerate or accept the incorrect sound just because you have not been able to change it. Be resourceful; be creative; adapt your techniques; consult other teachers; keep searching until you find an answer.

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