Emily C.: TNV, Ch. 3 Summary

The Naked Voice: Chapter 3

Emily Cottam

Chapter Summary: “Getting [breathing and speaking] to function in coordination and alignment with each other [we find] our authentic, naked voice.” Instinctively, we know how to measure how much breath we need for speaking. Inhalation involves abdominal and lower rib expansion. Alignment is key to correct breathing (as if you’re hanging from a hook in the ceiling from your head). Everything above the diaphragm is just a passageway for air. Smith argues that the term breath “support” encourages increased air pressure, rather than airflow. If done correctly, there is no “sensation of resistance. Instead, there will be sensation of flow.” Don’t save the breath--the vocal folds can siphon out the correct amount of air if we provide it with enough. 

Key Concepts: With singing, we need to focus less on the physiology of breathing and more about keeping it flowing freely/consistently. When releasing the breath, simply relax the muscles used for inhalation while maintaining proper body alignment. Air flow is nourishing to the voice. 

Key Terms: inhalation, exhalation, the S-word (support), air flow vs. air support 

Making Connections: Almost every voice teacher I have had have told me that I save my air too much--I need to just release the breath. When Smith described airflow as nourishing to the vocal chords, that was an “aha” moment for me. I’m often tense when I sing, so I am going to try applying the release of breath in my daily vocal exercises.