Bric Slade SS Chpt. 6
A big problem in singing is the over correction. Going into too dark of a tone or too light of a tone. We need to find a way to balance them out. We do this in a few steps beginning with arpeggiating 1-3-5 and back down on Ni Ne Na No Nu. The key is to keep everything relaxed with free flowing air. This is the only way to blend the chiaro and oscuro in a pleasing way.
Key Concepts: We blend the dark and light timbres of our voice by keeping in mind what we have learned with free flowing air and arpeggiating.
Key Terms: Chiaro, Oscuro
Connections: I feel the dark timbre of my voice is so strong I need to focus more on lightening it up before I worry about an overcorrection.
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