Jake Spjute:
B: gaspy
I: pressed or heavy sound on pitch. Especially when ascending. Final note is flat because of pressing.
T: Full. really like the [u] sound in your voice.
D:
E: didn't see any, but more importantly I didn't hear anything other than specifically predetermined dynamic change
O: Noticed tension in the neck. Sounds like the piece is hard to sing, so there needs to be a lot more freedom in the body and in the mind to allow the song to be.
H: He had a much lighter quality after working one creating a more linear motion, and his unicorn horn.
Luke Shepherd:
B: Sternum didn't stay elevated.
I:
T:
D: Very easy to understand! It helped the emotion by having each word apparent.
E: Loved the emotion! the opening phrase was really great! The last half or sadder part was still good but not as expressive.
O: This was a very honest performance from him. There were specifics that really helped to bring out the small moments, and I really loved how connected he was with the piece.
H: I liked how Cindy took most of the time to compliment him. I think it must have been really nice to get an "adda boy".
Laura Berg:
B: there was a lot of tension in the body, so the breathing wasn't a moment of rest in the body.
I:
T: sounded a little swallowed in spots
D: I loved the way she sounded in the way she announced the title of the piece. I didn't feel like the song was as speech-like as her intro.
E: I wasn't really sure what the piece was about
O: the song looked like a lot of effort to sing, so it was harder to feel at ease as the listener.
H:I really liked how the song had a lot more fluidity after she brought out the small notes. there was a connection through the piece.
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