Brad Summers: Rich, warm, baritone timbre is very natural for your voice. You lost some of that resonance and connection on higher passages, particularly with the word 'core' as a high note. Your eyes looked a little unfocused and your facial expression was stale. Cindy helped a lot with that and helped you have a much more genuine performance. Much improved with Cindy's help.
Sarah Gee: When you first started I could tell you were nervous and you were fiddling with your hands but once you got into you relaxed. Very pleasant voice and open sound. The second time singing it your voice was even fuller and more relaxed in your jaw. Huge difference from first time to second time! Watch for fiddling with your hands or your skirt. Good performance.
Sarah Brenay: Lovely, resonant timbre, but at the very beginning it sounded underenergized. It got better throughout. I noticed you do the same thing that I do sometimes, creep into some of the notes and get a 'sausage' shape to the note. Work on getting straight to the tone you want and not creeping into notes. Cindy told me that "the sound must be fully formed at it's inception" and that sticks with me, maybe it helps you too. Great performance.
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