Emily F. Masterclass 9/17
Sam Meredith: Even before you started singing, I noticed that your upper body could use more strength, the chest could be up more. You definitely have the strength in your voice to get all the notes out, but there's a lot of tension. Intonation is good. Timbre can be pinched and nasal at times, but I can tell you have a nice strong, warm sound in there. Don't know about the diction--I'm sure you're doing great at it! I get the feeling you really enjoy the song, just let us see how much you like it! I'd like to see you enjoying the moment and the opportunity to sing more. The movements that Cindy asked you to do, along with the imagery of the roller coaster, helped give you a more released, relaxed sound.
Luke Shepard: Breathing looked low, but I didn't notice until Cindy pointed it out, that it wasn't all the way around. It seemed like you could use more lower body strength. Were your knees locked? It kind of looked like they were. I noticed on the higher notes that the whole upper body looked like one solid, stiff unit. Timbre is always lovely and very pleasing, but seemed a little airy at first today. Intonation and diction sounded good. Expression seemed appropriate, you definitely seemed to know what you were singing about. When you tried to get away from Cindy with your arms back, the timbre was solid and strong and connected, with better spin. The airy quality was gone, and the sound was improved.
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